Windows

All of these seem to share at least one thing in common. First they mimic something like a window in every case, in that there is some kind of internal framing, which forces the viewer to look "through" it somehow. But there is also a sense in which the "window" also function as either a present or absent heart, at the center or away from the center of the painting. I don't want to over-read my own daubs, but this is about as intentional as I get.